fall sayings for signs

Short fall sayings

Design a bright and festive fall pumpkin patch flyer. Use warm autumn colors like orange, yellow, and red. Show pumpkins, hay bales, and falling leaves in the background. Add fun and family-friendly details: inflatables, paintball, petting zoo, tasty food, and more. Make it playful, cheerful, and eye-catching with big bold text that says: 'Fall Fun for the Whole Family!'. Leave space for event date, time, and location at the bottom.

Wooden wagons decorator for fall with scarecrows

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

A Pokémon based on Cupid, the Roman god of love, would likely be a Fairy-type Pokémon with a heart-shaped body, rosy cheeks, and a mischievous smile. It would have small, angel-like wings that are capable of flying at high speeds. The Pokémon would carry a small bow and arrow, with heart-shaped arrows that can cause those struck by them to fall in love. Its abilities could include a move that charms opponents or lowers their defenses, and a signature move that can heal both itself and its allies. The Pokémon would be known for its playful and loving nature, often seen flying around spreading love and happiness to those around it.

Physical Appearance: Age: 17, Gender: Female, Hair: Brown with streaks of purple, Eyes: Change color based on emotions, with pupil changes reflecting emotional states (e.g., exclamation mark for surprise), Build: Skinny yet muscular with prominent thighs and a thigh gap, cheeks are chubby, Skin: Birthmarks on the left side cheek with two around her left eye to the bottom and three on her right side eye to the bottom, Hero Costume Design Overall Concept: Emi's costume is designed to reflect her abilities and enhance her effectiveness as a hero. It combines elements that incorporate her Hemokinesis, Shapeshifting, and Empathic Sensing quirks. • Armor and Fabric: The costume is made of a durable yet flexible material that allows freedom of movement. It includes sections reinforced with hardened fabric infused with patterns resembling flowing blood, symbolizing her Hemokinesis. • Mask/Helmet: The mask or helmet has a sleek design with a visor that enhances vision and includes a built-in communication device. The visor could have a display showing emotional cues or vital signs, aiding her Empathic Sensing. • Utility Belt: Equipped with compartments for medical supplies and gadgets. It includes pouches for blood samples or tools related to her Hemokinesis. • Shapeshifting Integration: The costume has sections that can subtly alter their shape or color, allowing Emi to change her appearance as needed. This feature aids her Shapeshifting quirk, facilitating quick transformations for disguise or tactical advantage. • Color Scheme: Dark colors like purple and black dominate, with accents of red to symbolize blood and emotional intensity. The costume's design incorporates these colors seamlessly, enhancing both functionality and aesthetic appeal. • Accessories: Includes retractable weapons formed from manipulated blood, such as swords or shields. These weapons can be summoned and dissolved as needed, demonstrating her Hemokinesis in combat. My Hero Academia art style,

A hyper-realistic full-body Argentinosaurus in its natural habitat during the Late Cretaceous period, Patagonia. The massive titanosaur stands or slowly walks across a vast prehistoric floodplain surrounded by conifer trees, cycads, and ferns typical of South America 90 million years ago. The scene is set at golden hour with warm sunlight illuminating the dinosaur’s enormous body, emphasizing its immense scale compared to the landscape. Its long neck stretches forward gracefully, tail extending far behind in full view, casting a long shadow on the ground. The skin texture is realistic and detailed, showing wrinkles, muscles, and earthy tones with subtle patterns of gray, brown, and olive. Dust rises gently around its feet as it moves, and a few smaller dinosaurs or pterosaurs can be seen in the background for scale. The sky is partly cloudy, with soft mist near distant mountains and a shallow river reflecting the light. Cinematic composition, ultra-detailed, scientifically accurate, volumetric lighting, 8K, natural color palette, realistic atmosphere, soft depth of field.

A scientifically accurate, ultra-realistic full-body photograph of a Tyrannosaurus rex standing or walking calmly through a lush Late Cretaceous forest, surrounded by ferns and conifer trees, daylight with soft diffused sunlight, natural earthy tones. The dinosaur has realistic textures, accurate proportions, powerful legs, small arms, large skull, and a long horizontal tail for balance. Add subtle fine scales and optionally a light covering of proto-feathers along the neck and back. The creature has a calm, intelligent, and non-aggressive expression, appearing majestic but friendly. Soft mist in the background, cinematic lighting, high detail, paleontological accuracy, realistic anatomy and muscles.

I want plant floor ideas for my mediterrnean house, 1 floor, 4 bedrooms, shape U, study, walking closet, laudry room near bedroms, one suite, pool, deck, firepit, strech hallway/corridor with long rug and chandeliers, walking pantry, gym outside house, small wc near entrance

GLOBAL TYCOON MONEY POWER AMBITION this the name of my clothing brand and the slogan I want the ubran street wear style look mix with the lurxy style like Gucci McM balecinga clothing brand look on different style clothes like full Sweatsuits hoodie Polo style shirts T-shirt shorts zip up jacket round hat's regular hats jeans track suit and make something for the female style clothes

Make a logo for a hockey team named Raptors The primary color is orange and other colors are black and white Do not use any other color

Make a logo for a hockey team named Ducks The primary color is red and other colors are black and white Do not use any other color

Make a logo for a hockey team named Elite Use the acronym SCE The primary color is navy blue and other colors are sky blue and white Do not use any other color Make it based on a circle but not a perfect one. You can overtake it to add some style

Make a logo for a hockey team named Elite Use the acronym SCE The primary color is navy blue and other colors are sky blue and white Do not use any other color Make it based on a circle but not a perfect one. You can overtake it to add some style