64x64 pixel art isometric

32x32 pixel art tileset sprite sheet, top-down view. Ancient Greek temple dungeon floor tiles made of cracked white marble and limestone. Includes clean marble floor, cracked marble floor, dark stone floor, worn temple stone. Seamless repeating tiles, grid-aligned sprite sheet, retro roguelike style, limited color palette.

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

A basic pixel art male character in a flat, 2D style like Growtopia. The character is twice the height of the game blocks, standing upright in a simple pose, facing sideways. Minimal detail with clear pixel outlines, simple shading, and a limited color palette. Features include a neutral expression, basic clothing, and smooth pixel edges. The style is colorful, cartoonish, and tileable for use in a 2D platformer or pixel game.

2D pixel art sprite of a sci-fi female space officer inspired by 80s sci-fi movies. Athletic woman, short white hair, determined expression, wearing a futuristic utilitarian jumpsuit. Retro 16-bit pixel art style, sharp pixels, no blur, no anti-aliasing, no smooth shading, cinematic sci-fi tone.

Pixel art, top-down view, 2D game-ready scene, small forest cabin interior, dark and cozy atmosphere, shadows covering most of the room, dark wooden floorboards, rustic and slightly worn style, subtle cozy horror vibe, soft outlines, readable pixel art, scene-focused, not tile-ready, background only, no furniture with walls, floor, door frame without door, window without lightning, somewhat abandoned and partially falling apart but still livable

A flat, 2D pixel art gold ore block inspired by Growtopia. The block is made of gray pixelated stone with scattered bright yellow-gold pixel nuggets embedded in it. Simple and clean pixel art style with limited colors, clear outlines, and minimal shading. Front-facing flat view with no 3D perspective. Cute, tileable, retro game aesthetic, suitable for a pixel platformer or voxel game texture.

Design a professional circular sports logo featuring only “AT10” as the main and dominant element. Style inspired by NFL club emblems and modern sports leagues (Kings League style). Circular badge, strong and symmetrical composition. Include a handball ball subtly integrated into the design. Use a limited color palette with one main green tone, combined with red and white. Avoid multiple shades of green — clean, solid colors only. Bold, athletic typography, powerful and professional. Flat design, vector logo style, suitable for jerseys, social media, banners and branding. Logo only, centered, no other text, no background, no gradients, no mockups.

Design a professional circular sports logo for a handball campus named “Eskubaloi Kampusa”. “AT10” must be the main and dominant element, centered and highly visible. Style inspired by NFL club emblems and modern sports leagues (Kings League style). Circular badge, strong and symmetrical composition. Include a handball ball subtly integrated into the design. Use a limited color palette with one main green tone, combined with red and white. Avoid multiple shades of green — clean, solid colors only. Bold, athletic typography, powerful and professional. Flat design, vector logo style, suitable for jerseys, social media, banners and branding. Logo only, centered, no background, no gradients, no mockups.

“Create a detailed tiny house design. 1. Floor Plan Requirements: Size: 400–500 sq ft Open-concept living room + kitchen Full bathroom with shower Bedroom on main floor (no loft) Large windows for natural light Space-efficient built-ins and storage Include exact measurements for each room Show furniture placement Show entry door locations, window placement, and flow Use clean, modern, minimal style 2. Exterior Render Requirements: Modern tiny home with wood + black metal accents Large front windows Slanted or flat modern roof Small porch or deck Display front view, side view, and aerial view Realistic lighting and real-world materials Clean landscaping with gravel, grass, and a small walkway Generate: One detailed floor plan Three realistic exterior images One interior 3D rendering from the living room looking into the kitchen Ultra-realistic, architectural-grade quality

“Small agile space fighter, single pilot cockpit, twin plasma cannons, glowing engines, detailed pixel art, 64x64 resolution, 8-bit style, metallic blueish grayish color scheme, stylized, starcraft game like, space background” top down view

“Small agile space fighter, single pilot cockpit, twin plasma cannons, glowing engines, detailed pixel art, 64x64 resolution, 8-bit style, metallic blueish grayish color scheme, stylized, starcraft game like,” top down view

Luxurious Real Estate Office Floor Plan Overview The following is a detailed CAD drawing description of a luxurious real estate office floor plan, spanning 150 square meters. The office layout is designed to optimize functionality and elegance, making it an ideal workspace for professionals. Floor Plan Specifications Area: 150 square meters Dimensions: 15 meters in width x 10 meters in length Layout: Reception Area Offices Meeting Rooms Stairs to Mezzanine Level Detailed Layout 1. Reception Area Location: Upon entering, the reception area is the first point of interaction, located at the front of the office. Size: Approximately 20 square meters (5 meters x 4 meters). Features: Reception Desk: A sleek, modern design made of high-quality wood or glass, positioned to face the entrance. 3D Model Project Proposal Stand: A visually appealing stand for showcasing projects, located near the reception desk to engage visitors. Seating Area: A small seating area with two to three chairs for waiting clients. 2. Offices Number: 4 offices Size: Two large offices: 15 square meters each (5 meters x 3 meters) Two small offices: 10 square meters each (5 meters x 2 meters) Features: Large offices: Equipped with a large wooden desk, a comfortable chair, bookshelves, and a small meeting table with two chairs. Small offices: Fitted with a compact desk, a chair, and a bookshelf. 3. Meeting Rooms Number: 2 meeting rooms Size: Large meeting room: 20 square meters (5 meters x 4 meters) Small meeting room: 12 square meters (4 meters x 3 meters) Features: Equipped with large wooden tables, comfortable chairs, and presentation equipment. The large meeting room includes a projector screen and a whiteboard. 4. Stairs to Mezzanine Level Location: Positioned at the back of the office, leading to the mezzanine level which could serve as an additional workspace, storage, or a quiet area. Design: Elegant and sturdy, with a glass or metal railing. Mezzanine Level Area: Approximately 75 square meters (inherited from the total area, used efficiently for vertical expansion). Potential Use: Additional office space Storage area Quiet room for focused work Design Considerations Lighting: Ample natural light is prioritized, supplemented by high-quality artificial lighting. Materials: High-end materials such as glass, polished wood, and metal are used for a luxurious feel. Color Scheme: A professional palette with shades of white, gray, and wood tones. Conclusion This luxurious real estate office floor plan is designed to provide a sophisticated and productive work environment. With a well-thought-out layout, high-quality materials, and attention to detail, it meets the needs of professionals while making a statement about the company's commitment to excellence. CAD Drawing Representation The CAD drawing would accurately represent the dimensions and layout described, incorporating the following elements: Scale: 1:100 or 1:50 for detailed views. Symbols: Standard architectural symbols for doors, windows, furniture, and other features. Views: Include floor plan, elevations, and sections as necessary for a comprehensive understanding. By following these specifications, the CAD drawing will serve as a precise blueprint for constructing a luxurious and functional real estate office.

Luxurious Real Estate Office Floor Plan Overview The following is a detailed CAD drawing description of a luxurious real estate office floor plan, spanning 150 square meters. The office layout is designed to optimize functionality and elegance, making it an ideal workspace for professionals. Floor Plan Specifications Area: 150 square meters Dimensions: 15 meters in width x 10 meters in length Layout: Reception Area Offices Meeting Rooms Stairs to Mezzanine Level Detailed Layout 1. Reception Area Location: Upon entering, the reception area is the first point of interaction, located at the front of the office. Size: Approximately 20 square meters (5 meters x 4 meters). Features: Reception Desk: A sleek, modern design made of high-quality wood or glass, positioned to face the entrance. 3D Model Project Proposal Stand: A visually appealing stand for showcasing projects, located near the reception desk to engage visitors. Seating Area: A small seating area with two to three chairs for waiting clients. 2. Offices Number: 4 offices Size: Two large offices: 15 square meters each (5 meters x 3 meters) Two small offices: 10 square meters each (5 meters x 2 meters) Features: Large offices: Equipped with a large wooden desk, a comfortable chair, bookshelves, and a small meeting table with two chairs. Small offices: Fitted with a compact desk, a chair, and a bookshelf. 3. Meeting Rooms Number: 2 meeting rooms Size: Large meeting room: 20 square meters (5 meters x 4 meters) Small meeting room: 12 square meters (4 meters x 3 meters) Features: Equipped with large wooden tables, comfortable chairs, and presentation equipment. The large meeting room includes a projector screen and a whiteboard. 4. Stairs to Mezzanine Level Location: Positioned at the back of the office, leading to the mezzanine level which could serve as an additional workspace, storage, or a quiet area. Design: Elegant and sturdy, with a glass or metal railing. Mezzanine Level Area: Approximately 75 square meters (inherited from the total area, used efficiently for vertical expansion). Potential Use: Additional office space Storage area Quiet room for focused work Design Considerations Lighting: Ample natural light is prioritized, supplemented by high-quality artificial lighting. Materials: High-end materials such as glass, polished wood, and metal are used for a luxurious feel. Color Scheme: A professional palette with shades of white, gray, and wood tones. Conclusion This luxurious real estate office floor plan is designed to provide a sophisticated and productive work environment. With a well-thought-out layout, high-quality materials, and attention to detail, it meets the needs of professionals while making a statement about the company's commitment to excellence. CAD Drawing Representation The CAD drawing would accurately represent the dimensions and layout described, incorporating the following elements: Scale: 1:100 or 1:50 for detailed views. Symbols: Standard architectural symbols for doors, windows, furniture, and other features. Views: Include floor plan, elevations, and sections as necessary for a comprehensive understanding. By following these specifications, the CAD drawing will serve as a precise blueprint for constructing a luxurious and functional real estate office.

Create a pixel art sprite sheet of a medieval monk character in a game style. The monk should wear a traditional brown robe with a rope belt, simple sandals, and a hood partially covering his face so that his facial features are visible but slightly hidden. The art style should be 16x16 or 32x32 pixels, retro and consistent across all frames, with a transparent background. Animations required: - Idle: 1–2 frames, the monk standing calmly, slightly breathing or robe moving subtly. - Walking: 2–3 frames, simple walking cycle with the robe moving slightly as he steps. - Jumping: 2–3 frames, monk bending knees then leaping upwards with robe flowing. Keep the proportions consistent, emphasize a cozy medieval atmosphere, and make sure the monk looks peaceful but mysterious.