A flat, 2D pixel

Flat 2D pixel art texture of a gold ore block, front-facing, with no 3D or perspective. The block is a simple square of gray pixelated stone with a few bright yellow-gold pixel nuggets embedded. Minimal shading and clean outlines, in a retro pixel style like Growtopia. No cubes, no angled views, strictly flat and tileable, with a simple, cute cartoon look."

"A 2D flat side-view cobblestone block in the style of Growtopia. Cartoon-like and simple, with rounded gray stones packed together, outlined clearly. Light shading and soft gradients to give a smooth, hand-drawn look. No 3D or perspective — flat and front-facing only. Clean and tileable design, minimal detail, cute and suitable for a 2D platformer game."

A basic pixel art male character in a flat, 2D style like Growtopia. The character is twice the height of the game blocks, standing upright in a simple pose, facing sideways. Minimal detail with clear pixel outlines, simple shading, and a limited color palette. Features include a neutral expression, basic clothing, and smooth pixel edges. The style is colorful, cartoonish, and tileable for use in a 2D platformer or pixel game.

32x32 pixel art tileset sprite sheet, top-down view. Ancient Greek temple dungeon floor tiles made of cracked white marble and limestone. Includes clean marble floor, cracked marble floor, dark stone floor, worn temple stone. Seamless repeating tiles, grid-aligned sprite sheet, retro roguelike style, limited color palette.

Generate three separate vertical 9:16 images, one image at a time, for a TikTok swipe post showing the exact same large bedroom progressively getting cleaner. Each image must be a separate output, not combined. The room layout, bed, desk, shelves, windows, and perspective must be exactly the same in all three images. Only the level of cleanliness changes. Maintain consistent lighting, colors, and textures. Slide 1 (Messy Bedroom — Before): A large bedroom in real-life clutter. Clothes, shoes, empty cups, and papers scattered across the floor. Unmade bed with wrinkled sheets. Messy desk and shelves with books and mugs. Sunlight streaming through partially open blinds casting natural shadows. Wide view showing the full large room. Realistic textures on carpet, wood, walls. Casual messy composition, everyday lighting, raw authentic look. Slide 2 (Partially Cleaned Bedroom): The exact same bedroom as Slide 1. Some clothes folded on the bed, a few items remain on the floor. Desk tidied but some papers still present. Bed halfway made with slight wrinkles. Sunlight through blinds casting soft shadows. All furniture, bed, desk, shelves, windows, and perspective are identical to Slide 1. Only the level of cleanliness changes. Slide 3 (Fully Clean / Glow-Up Bedroom): The exact same bedroom as previous slides. Floor spotless, bed perfectly made with natural slight wrinkles, desk and shelves fully organized with minimal decor, small plant on the windowsill. Sunlight streaming through blinds casting warm natural shadows. All furniture, bed, desk, shelves, windows, and perspective remain exactly the same. Wide view showing full aesthetic transformation. Important Instructions: 1. Generate each slide as a separate image, do not merge them. 2. Ensure the room is exactly the same in all three images, only getting progressively cleaner. 3. Keep vertical 9:16, photorealistic style, realistic textures, and a natural lived-in feel. 4. Maintain consistent style, lighting, and colors across all three images.

64x64 pixel art isometric cobblestone floor tile intended for 32x32 games, true isometric perspective (2:1 ratio), top-down angled view, each 2x2 pixels represent one pixel, large readable cobblestone shapes, consistent isometric lighting from top-left, limited color palette, simple shading, no tiny details, no noise, no gradients, no blur, no anti-aliasing, perfectly tileable and seamless on all sides

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Generate 3 vertical 9:16 images for a TikTok swipe post showing the same dorm room progressively getting cleaner. Maintain identical furniture layout, bed, desk, shelves, and window position across all images. Slide 1 (Messy): Dorm room messy with unmade bed, clothes on the floor, cluttered desk, books scattered, sunlight streaming through window, realistic textures on walls, carpet, and furniture, wide-angle view, casual lived-in feel. Slide 2 (Partially Cleaned): Same dorm, partially cleaned. Some laundry folded, desk partially organized, bed halfway made, sunlight casting soft shadows, furniture positions exactly match Slide 1. Slide 3 (Fully Clean / Glow-Up): Same dorm fully cleaned, bed made, desk tidy with minimal decor, sunlight streaming through window, furniture layout exactly matches previous slides. Wide view showing full aesthetic transformation. Maintain consistent style, lighting, and colors across all 3 images.

2D pixel art sprite of a sci-fi female space officer inspired by 80s sci-fi movies. Athletic woman, short white hair, determined expression, wearing a futuristic utilitarian jumpsuit. Retro 16-bit pixel art style, sharp pixels, no blur, no anti-aliasing, no smooth shading, cinematic sci-fi tone.

Design a professional circular sports logo featuring only “AT10” as the main and dominant element. Style inspired by NFL club emblems and modern sports leagues (Kings League style). Circular badge, strong and symmetrical composition. Include a handball ball subtly integrated into the design. Use a limited color palette with one main green tone, combined with red and white. Avoid multiple shades of green — clean, solid colors only. Bold, athletic typography, powerful and professional. Flat design, vector logo style, suitable for jerseys, social media, banners and branding. Logo only, centered, no other text, no background, no gradients, no mockups.

Design a professional circular sports logo for a handball campus named “Eskubaloi Kampusa”. “AT10” must be the main and dominant element, centered and highly visible. Style inspired by NFL club emblems and modern sports leagues (Kings League style). Circular badge, strong and symmetrical composition. Include a handball ball subtly integrated into the design. Use a limited color palette with one main green tone, combined with red and white. Avoid multiple shades of green — clean, solid colors only. Bold, athletic typography, powerful and professional. Flat design, vector logo style, suitable for jerseys, social media, banners and branding. Logo only, centered, no background, no gradients, no mockups.

Fashion costume sketch of a young woman, full body, front view. Wearing a red beret, green cardigan, light green short skirt, ankle boots with knee-high thin socks, and a brown crossbody bag. Clean fashion illustration style, hand-drawn look, visible pencil and ink lines, minimal shading, flat colors. Neutral pose, white background, no scenery. Emphasis on garment shapes, proportions, and costume details, theatrical costume design sketch.

“Pixel art sprite sheet of Dorian, a young male scientist-warrior in a post-apocalyptic world. Slender build, calm but intense expression. Wears a long white blindfold embroidered with faint runes. Outfit: layered dark coat with scientific straps and belts, muted colors, slightly torn from battle. Weapon: a massive greatsword he cannot physically swing, appearing as a floating monolithic blade suspended by invisible force. Include animations: idle stance facing forward, casting/charging stance looking upward, sword materializing above him, sword falling attack frame, hurt frame, low-health stagger frame, and death-collapse frame. Style: 32-bit pixel art, clean outlines, dramatic lighting, slightly anime-influenced proportions, consistent shading.”

Dark minimalist hand-drawn samurai warrior character for 2D side-scrolling platformer game, side view, consistent proportions, black and dark red clothing, light armor, flowing cloth elements, clean silhouette, dramatic shadows, artistic style, game-ready design, transparent background. 6 frame walking animation sprite sheet, smooth side-scrolling walk cycle 6 frame idle animation, subtle breathing motion, standing pose 8 frame sword attack animation, side view, fluid motion, dynamic poses 6 frame block animation, raising sword/stance to block, defensive poses frame vertical jump animation, jumping straight up and landing, dynamic motion 8 frame forward jump animation, leaping forward with momentum, side view 8 frame forward jump animation, leaping forward with momentum, side view 8 frame death animation, character collapsing/falling, expressive but minimalist 6 frame hurt animation, recoiling from hit, clear reaction, side view